A CLOUD OF QUILT PATTERNS: AN ENCYCLOPEDIA OF PATTERN IN BLOG FORM UPDATES & ADDITIONS BY BARBARA BRACKMAN

Monday, June 12, 2017

Philadelphia Beauty or Four Frogs


The primary block in a remarkable quilt dated 1842
is this variation of a fleur-de-lis applique.

The quilt features a mourning block.


"Abby Leaming Forepaugh.
She is now dead. She cannot stir. 
Her lips are like the faded rose.
Which of us next must follow her
The Lord Almighty only knows.
Expired Jany 19, 1842
in the morning."

Abigail was 5 years old when she died, the daughter of Philadelphians John F. & Jane Leaming Forepaugh.

See more photos of this quilt in Stella Rubin's shop at 1stDibs.

The pattern was published as Philadelphia Beauty by the Ladies Art Company at the end of the 19th century.




The circular center was a perfect spot for a signature,

From Marilyn Woodin's collection

Quilt made for William Bryant Stewart and Elizabeth Sheppard Stewart,
 Plainfield, New Jersey.
 Newark Museum

The Stewarts' quilt features a similar block in the center and another variation in each of the corners. Rather than being cut from one piece each of the fleur-de-lis, each corner shape is cut as a single piece in two different fabrics - red and green.


Much like this version...

...in a sampler that was sold in Pittsburgh, Pennsylvania
about ten years ago. The shapes in the border
seem related to fleur-de-lis too.

Quilt dated 1852

Ruby McKim about 1930 was the first to publish the design as Fleur de Lis, French for lily. The single flower is a standardized image that once represented French royalty,

which is traditionally repeated in a half-drop set
forming a diagonal grid.


From an 1869 quilt made in Illinois

The four-way mirror image repeat design we see in American quilts went beyond Philadelphia.

Baltimore Album Quilt in the collection of the Baltimore Museum of Art

Contributors used a variety of geometries, all based on the four-way symmetry. 

Baltimore Album top dated 1844 made for Susan & Henry Underwood,
Smithsonian Institution.


The Ladies Art Company published a couple of related designs.
If it's green it might be Four Frogs.



If it's red---
Lobster according to Florence Peto and Delores Hinson.

Blue.....


Blocks might have no central shape.


Add an extra dot in the center.



Or cut stars for a central shape.


From the collection of the International Quilt Study Center & Museum.
#1997.007.0836






And in this unusual block that looks to be about 1900:
Four hearts.

Print this out at 8", fold an 18" square of fabric into
quarters and cut out an applique to fit on a block 20" or larger.


It seems many people cut their own pattern.


The Criswell Quilt from the
 Chester County (PA) Historical Society's collection.

Monday, June 5, 2017

Rising Suns & Twirly Balls

Red & white quilt sold at an online auction.
BlockBase #3390
A combination of whirling spokes and spiky ring.

The Ladies Art Company catalog published the pattern
about 1890 as Rising Sun.  The red and white quilt
might have been made from their pattern.

Ruby Short McKim published it in her
Designs Worth Doing book and also as a part of a
newspaper series of sampler blocks in the Denver Post in 1931.

Lynn has a collection of the McKim samplers, which was a popular design
in the early 1930s.
http://barbarabrackman.blogspot.com/2013/02/ruby-mckim-in-denver-post.html

The Rising Sun or Circle Saw pattern has been published several times.


McKim pictured the outer spikes in colored pairs.

Names include:
Wagon Wheel from Hearth & Home magazine in the early 20th century.
Other names: Wheel of Life and Circle Saw.

From the Kansas City Star in 1936

H.H. Ver Mehren's pattern company, which pattern
collectors call Home Art,
published it as Wheel of  Life in the 1930s.

But quilters were using the pattern before it was published.

Quilt by  Elizabeth Guest Hall, DeKalb County, Georgia
1880-1910

BlockBase shows three variations differentiated by the number
of whirling spokes in the center. The quilts above all have 12 center spokes.



24 spokes by Eliza Ann Mattingly, Grayson County, Kentucky, about 1870-1900
From the Kentucky project & the Quilt Index



The Florida Project recorded one with 20 spokes dated and signed 1857 by Annie Wilson Hall of 
New York City. She was a professional seamstress. Read more about her here:

The Texas Project recorded one attributed to Mrs Josiah Barrow
and estimated a date of the 1820s, but it was likely made later
by her daughter Harrie E. Barrow Gray who was born in
Alabama but moved to Claiborne Parish, Louisiana.

20 spokes
You can see why these all have a dot in the center.
20 curved seams meeting at one point might not be pretty!

The Louisiana Project found one with 24 spokes by Sadie Wilson,
probably from 1880-1910, made in Claiborne Parish.

I found quite a few in the Quilt Index files by doing a keyword search for 'rising.' Most were from Southern projects, and most were after 1880.

G.G. McMullen or McMillen
in Summer Grove, Caddo Parish, Louisiana
Another Louisiana find---20 spokes
probably 1850-1890. The family called it Dizzy Saw or Rising Sun

16 spokes, found on the internet. Probably Southern,
Clues aside from the pattern: Solid fabrics.

Snapshot of a similar version with 20 spokes
 in the North Carolina Museum of History.


Online auction, 18 spokes.
Looking for a pattern? BlockBase will draw one for you any size
but you might want to buy one of these:

Karen K. Stone calls hers
Mississippi Wheel of Fortune
It's in her our-of-print
Karen K. Stone Quilts Book.
Too bad it's so expensive used.

Sue Garman called hers Twirly Balls & Pinwheels.
Her daughters continue to sell Sue's patterns.

That's all the twirly balls for today.